THE HALF KING, 505 West 23rd Street, New York
Arts & Labor has joined forces with the students and faculty at CUNY’s Murphy Institute to gather data on the working conditions of art workers in New York City. Join us to unwind after a long day of work, and enjoy a free drink from filling in the survey.
In anticipation of our one-year anniversary, Intern Labor Rights is lovingly preparing hundreds of Intern Swag Bags to be given out at Fashion Week events over the February 8–10, 2013, weekend. To get your hands on an Intern Swag Bag, or to help us distribute, email us at intern.labor.rights@gmail.com and find out where we’ll be during the weekend. To track our progress follow #devilpaysnada and #payinterns on Twitter, or find us on Facebook.
For a peek into how this action is being covered in the press, check out this article on BuzzFeed: Occupy Movement To Protest Unpaid Internships At Fashion Week.
And to join in the fight for what’s right, to insist that those who profit from labor pay for its worth, to make your voice heard… email us and find out when and where our next weekly meeting will be, or join our group on Facebook.
Intern Labor Rights is supported in the New York Fashion Show “Pay Your Interns” initiative by SUARTS and Intern Aware, who are making London Fashion Week plans as part of the long-running and successful “Devil Pays Nada” campaign.
The following groups have committed to supporting each other in the global fight to end unpaid internships:
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Download the “Interns! Know Your Rights” PDF
Spread the word on Facebook
On Wednesday, April 18, 2012, six major online job boards, including the New York Foundation for the Arts’ Jobs in the Arts, the Association of American Publishers’ bookjobs.com, playbill.org, mandy.com, internships.com and entertainmentcareers.net, were served letters calling for an end to the publishing of classified listings for unpaid internships at for-profit businesses.
Collectively the six job boards channel thousands of unpaid workers to for-profit businesses in a variety of creative industries including the visual arts, publishing, theater, film, television and electronic media, without regard for the ethics or legality of such arrangements, thereby undermining the overall health and sustainability of the labor market within those industries.
The letters expand ongoing Arts & Labor #OWS efforts against unpaid internships at for-profit businesses. The initiative began on February 1, 2012 with a call to the New York Foundation for the Arts (NYFA) to end their practice of listing these illegal jobs.
Full Media Advisory
Letter to the New York Foundation for the Arts (Jobs in the Arts)
Letter to the Association of American Publishers (bookjobs.com)
Letter to playbill.org
Letter to mandy.com
Letter to internships.com
Letter to entertainmentcareers.net
Dear NYFA,
We are Arts & Labor, a working group founded in conjunction with the New York General Assembly for #occupywallstreet. We are artists and interns, writers and educators, art handlers and designers, administrators, curators, assistants, and students dedicated to exposing and rectifying economic inequalities and exploitative working conditions in our fields through direct action and educational initiatives. We are writing to ask you to cease posting classified listings for unpaid interns at for-profit institutions on the NYFA website.
While we applaud the work that NYFA does in advocating for the arts and for artists, we feel that promoting the practice of unpaid internships is unjustifiable. While the internship finds its roots in the historical model of the apprenticeship and is premised on the value of education and experience in the workplace, unpaid internships in today’s job market often amount to nothing more than exploitation.
In April, the United States Department of Labor released a memo that included the following stipulations for unpaid internships under the Fair Labor Standards Act:
From our collective experience as interns and professionals working in arts institutions, we know these criteria are rarely met. Interns are often contracted to perform work that is not comparable with educational experience and their labor saves employers an estimated $600 million a year in wages.
Moreover, this system benefits people who already possess financial means and can afford to work for free, thus propagating social inequality in the art world. We are aware that these conditions exist in most fields. However, they reach a level of exploitation in the arts, where pursuing one’s passion and affiliating oneself with a culturally prestigious entity becomes a socially sanctioned rationalization for highly precarious working conditions.
We call upon NYFA to end its support of this exploitative practice by refusing to publish listings for unpaid internships at for-profit institutions, and to begin the fight against precarious labor conditions in the arts by promoting internships that comply with minimum wage laws, as well as all other state and federal employment laws including discrimination, sexual harassment, and health and safety protections.
Sincerely,
Arts & Labor
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