Letter in Support of Embros from Arts & Labor Alternative Economies November 12, 2013, New York

We stand in solidarity with the Embros Theater community and condemn the persecution of the two performers arrested for rehearsing in the theater on October 31, 2013.  All charges brought against these individuals should be dropped and their court cases should be dismissed. [1]

The work that is currently being done at Embros embodies some of the most fundamental aspects of fostering a creative and responsive cultural space in which alternatives to the current system can be explored [2]. In this time of urgency and economic crisis around the world, Embros is forging new directions that should be enthusiastically supported and celebrated by the local and national government rather than aggressively repressed and threatened.

Culture is a basic sign of being alive, a space of reflection and growth, and most importantly it is the place where the processes that define democracy such as freedom of speech, expression, and criticality, is apparent in more ways than a set of law books can ever describe.  Governments from Russia to China, United States and Europe [3] seek to crush within its citizens the freedom of cultural expression. It has become apparent that the democratic, life-expressing aspects of art are being systematically repressed and commodified into pure spectacle and entertainment by these governments, institutional bureaucrats, and their capitalist cohorts. We will not stand-by as they reduce culture to an admission fee, VIP bonus, or something you can buy at the gift shop. We wish to dance, to perform, to visualize, to speak, all without being restricted by the amount of money we have or the so-called credentials and permits that these institutions have invented. Because for us, this is true freedom, this is true a democracy that no currency can equate.

Embros provides much needed free and open community space and brings people from all walks of life together to learn, engage, and create. Therefore, we ask artists and communities around the world to look closely and continue to follow these events as you would a canary in a coal mine, so that we may provide support for artists and cultural spaces when similar events that arise. Furthermore, these instances should provide a lens to reflect on the situation in our cities and to better understand the mechanisms of cultural control, repression, cooptation, and exploitation so that we can continue, through this solidarity network, to expose and ultimately overcome this political, economic, and cultural crises that has become the marker of our times.

Arts and Labor Alternative Economies Members

Maria Juliana Byck, Emily Baierl, Antonio Serna and Laurel Ptak
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[1] Communique from Embros on the Arrest of 2 performers. October 30, 2013

[2] On October 19, 2013, as part of ‘What Do We Do Now?’ the first annual Alternatives Fair in New York City, we invited members of Embros Theater to participate in an international panel on autonomous spaces. Through this panel we hoped to learn how autonomously run cultural spaces function to provide a more horizontal way to operate while remaining inclusive to all members in the community. From this exchange we learned how Embros’ organizing by way of a weekly general assembly has become a dynamic and invaluable community-run space in which creativity and innovation is encouraged to thrive.

‘What Do We Do Now? Alternative Fair’ was organized by Alternative Economies, a subgroup of OWS Arts and Labor. Alternative Economies working group explores alternative methods of sustaining the livelihood of artists, art-workers, and other communities interested in alternatives to the current system. We view the concept of labor through the lenses of time, choice, and value, and we research the ways that ideas like the commons, solidarity economies, precarious worker centers, and participatory budgeting can nurture more sustainable art worlds. Believing that vibrant creative communities come from the bottom up, we encourage relationships based on mutual aid rather than competition, and we advocate for cultural institutions rooted in a framework of social, economic, and environmental justice.

[3] Links to similar crack down on autonomous cultural spaces and artists:

ZAM is Culture, Eviction of ZAM by Milan Police, May 2013

Footage of Police Eviction of ZAM w/ minute by minute account, May 2013

Extreme show of force by of Swiss police at Basel, May 2013

“Art Makes Money” Communique from ‘Basel Will Be Occupied’ after the Art Basel raid

NY Police Arrest of artist in Brooklyn for Decorating the Street  “I (heart)nyc” bags, May 2012